BRENT
NELSON

For Brent, composing is instinct. “I’ll sit at the piano, and it’s almost like the music is already there,” he says. “If I go the wrong way, I hear it immediately. Then I just follow where it wants to go.”

That instinct has guided Brent through more than 8,000 episodes of Days of Our Lives, where his music has shaped the emotional undercurrent of one of television’s longest-running dramas for nearly four decades. A multiple Emmy Award-winning composer (1993, 2016, 2017, 2019, 2020), he has built a musical language that moves seamlessly between intimacy, tension, romance, and suspense.

“It’s part of the storytelling,” he says. “Sometimes it’s the thing that connects everything.”

On Days of Our Lives, episodes can move from danger to heartbreak to tenderness within minutes, requiring a score that guides emotional shifts without calling attention to itself.

“You’re going from something dark and intense into something soft and emotional, and it has to feel natural,” Brent explains. “Those transitions, that’s where the real work is.”

Over time, he began approaching major storylines as distinct musical worlds, developing what he calls a “sound print” for each arc. That approach has led to a wide range of sonic palettes, from intimate piano and acoustic textures to electronic layers, live choir, and full orchestral recordings. For the Beyond Salem spinoffs, Brent leaned into a more cinematic tone, creating music intentionally distinct from the flagship series.

Some of his most meaningful work has come from moments where music and story unexpectedly align. Brent once wrote a song from the imagined perspective of someone grieving the loss of a lifelong partner, long before there was a place for it onscreen. Years later, the song found its home in a farewell montage for a beloved character.

“That’s when it really hits you,” Brent says of the audience response. “It connected.”

Brent’s path to composing was shaped by curiosity and persistence. After years pursuing songwriting and record deals, a pivotal moment came while watching the film Body Double.

“I remember thinking, this is it,” he says. “This is where music and storytelling come together.”

He shifted his focus to composition while developing the recording, engineering, mixing, and producing skills that would later define his process.

After nearly 40 years, what still excites Brent most is storytelling itself.

“The picture is my collaborator,” he says. “You’re just taking what you hear in your head and finding a way to bring it to life.”